UPCOMING!
‘3 Jokes’, A Social Process of Unknowing Yourself in Real Time, Ed. Kate Briggs, Published by The Yellow Paper, 2023.

Reading at Baked Beans on the Doorstep, The Old Hairdressers, Glasgow, 29.5.24 


RECENT WRITING/TALKS:
Roundtable event for DAY CARE, Nicole Wermers, The Common Guild, Glasgow, 2024

with a blue backdrop for company, pamphlet published by Waterwings, French Street, Glasgow, 2024

You know it’s not the same as it was: Review of The Promise of Pleasure programmed by Naomi Pearce and Anna Bunting-Branch at The Barbican, MAP Magazine, 2023

Park Life: Review of Jupiter Rising X EAF Party, part of a series of responses to Edinburgh Art Festival 2023, commissioned by Rosie Roberts, 2023


The Ludicrously Capacious Bag, Published by The Yellow Paper, Glasgow, August 2023 (The Yellow Paper Prize for New Writing)

The Real Me, Abridged audio book of Always Open Always Closed, Radiophrenia Glasgow, 2023.

‘A Beetle Crawls Up the Wall’, From Troubled Dreams Under a Glare of Sky, Ed. Michael Pattison, Edinburgh International Film Festival Critical Writing Commission 2023

Earlier, Here, Later, Commissioned Text for Slim Glimpses, Amy Winstanley, Cample Line, Dumfriesshire, 2023

Always Open Always Closed, Published by JOAN, June 2023.

3 poems in Deleuzine Vol 2: She-Dogs, Edited by Sabeen Chaudhry and Lilly Marks, 2023

Do only interesting people get interested?, Review of a Glasgow gallery weekend 12/13 May, MAP Magazine, 2023

Contribution to The Kink in the Arc, Edited by Paul Becker, 2023

SLOW, Commissioned Text for FLOW, Sophia Pauley, The Briggait, WASPS, Glasgow, 2022

I wondered if I would care if I saw him again, Review of People Person by Sam Cottington, MAP Magazine, 2022

Letter from Newcastle and Gateshead, Nothing Personal Issue 3, Glasgow, 2022

Ms Real gets lost, as far as i remember, Berlin, 2022

Teatime, Commissioned Text for Workaround, Charlie Hammond, The Hunterian, Glasgow, 2022

A Luminous Decay: On ‘A Moving X-Ray’, seven films by Sandra Lahire on Another Screen, MAP Magazine, 2022

Unsure Theory, Arts Journal (MDPI) Special Issue: Autotheory in Contemporary Visual Arts Practice, 2022

After Blue (1993), Responses to Derek Jarman's Blue (1993), Pilot Press, 2022


PROGRAMMING/PROJECTS -->
Group Show
Lunchtime Gallery
David Dale Gallery
Glasgow Art Map

Mark
Caitlin Merrett King
Writer, Artist and Programmer
Glasgow, Scotland.

caitlinmerrettking[at]live[dot]co[dot]uk
@caitlinmerrettking

Caitlin Merrett King is a writer and programmer based in Glasgow. She has published writing with Sticky Fingers, MAP Magazine, Nothing Personal, Pilot Press, and Deleuzine. She has written commissioned texts for exhibitions at The Hunterian, WASPS (both Glasgow) and Cample Line (Dumfriesshire). She graduated from MLitt Art Writing at Glasgow School of Art in 2022 and was awarded The Yellow Paper Prize for New Writing. Always Open Always Closed, her first book, was published by JOAN in July 2023.



Guston, monoprint, 2019


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ALWAYS OPEN ALWAYS CLOSED
Published by JOAN Publishing 
Click here for JOAN.

A riotous, disaffected culture crawl across Glasgow, where there’s a craft bakery on every corner and more artists than New York’s Chelsea Hotel. Ms Real is well read and well fed, with an anxious eye for detail and a sharp tongue. I love a book that airs its influences in public and isn’t afraid to try a little too hard. Merrett King is the kind of playful, critical voice I want to read right now. 
— Naomi Pearce

What if artworks were experienced like this, really? Encountered somewhat smashed together, one after the other, feeling distinctly hungover, lying on your stomach on the gallery floor, your phone on fire, your brain full of song and gossip and other people’s ideas, your whole self open to actually feeling it all? What if these were the realest conditions for art-thinking, art-writing and serious critical engagement? These are provocations of Caitlin Merrett King’s brilliant first book – an urgent repurposing of Lynne Tillman’s Madame Realism sequence for Glasgow, for the state of art criticism today, for our own precarious times.
— Kate Briggs

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After Dean Kissick and Sarah Tripp, 2022


After Dean Kissick and Co-star, 2022



Coffee (performance leftovers), Paris, instant coffee, glasses, film, Big Time Sensuality, with Florida (Hannah Reynolds and Isabella Widger), WASPS Hanson Street Project Space, Glasgow International, 2018



Flowers for Carrie, Drawings for Jamie, blue pencil on paper, carnations, 2018